ultra fine selection of 12 exklusive tracks incl. sascha funke, julian stetter, cooper saver and more

with ÈredsuperstructureÇ, robert lippok created a new foundation for his musical endeavors. now Ð 7 years later Ð this system properly comes to life on Èapplied autonomyÇ. the title of the new album is a clear indicator as to what the berlin-based producer has been up to during the last couple of years, both on a conceptual level as well as how he molds his ideas into tracks. Èapplied autonomyÇ orchestrates a certain state of frantic standstill, which occurs once a structure is set. has this state been reached, the artist is free to focus on other equally important aspects, balancing the various shades, pushing ideas even further to really make them shine and blossom in their self-declared autonomy. the more light one lets in, the more layers become visible. layers are key when it comes to understanding Èapplied autonomyÇ. big chunks of the material with which the album has been produced derive from sketches specifically made for a club performance. rather than meticulously devising each and every detail, lippok focussed instead on recording as many fragments as possible in a short period of time, elements which he could later combine and layer on stage. based on this material and his experience experimenting with it in a live environment, the album slowly began to shape. an album culminating in a collaboration with klara lewis, with whom lippok spent 2 days at the ems studios in stockholm, approaching the idea of autonomy from yet another angle. during the session, both musicians played and performed simultaneously, yet not explicitly together, lost in their own thoughts and ideas, only subconsciously taking in what the other one was coming up with. the result is ÈsamtalÇ, 14 minutes of a constantly evolving state of poise, magically connecting all the dots lippok had already defined as Èapplied autonomyÇ. the artwork for Èapplied autonomyÇ has been created by the berlin-based argentinian artist luca gutierrez. over the last couple of years, he has made a name for himself with his spectacular av performances.

the night is what makes a big city come to life. right after sundown, the hectic buzzing of downtown makes way for adventure playgrounds, bathed in neon light, revealing their countless chances and opportunities. its when youll find the subway spitting out its purpose seeking passengers by the minute. a coming and going of restless people passing through. all it takes is a few hours, before the sunrise makes it all disappear. mental bend captures the magic of that very moment in their dreamy soundtracks. if you close your eyes, you can see blurry pictures passing in slow motion, accompanied by their atmospheric songs. grainy black and white snapshots, fragments of memories lighting up somewhere in the farthest corner of the cortex. one step is the berlin-based indietronica duos visually vivid debut album, released on enfant fenou. mental bend are all about letting go. sissip (voc/synth/bass) and hendrik havekost (beats/production) know how to trust their instincts, crafting their hypnotic signature sound, somewhere in between electronica, ambient and dream pop. before founding the band in 2013, the two were already shaping their skills in all kinds of different formations and styles of music. as soon as they got together, they had a viral mini hit with their song take my hand, praised on various tastemaker blogs and generating over 100.000 likes on soundcloud in no time. the bands first long play record one step is all about important experiences and decisions, small as well as big steps, all a part of making progress, which in the end can even be life changing. it was a step, that recently got mental bend their record deal on mos ferrys sub label enfant fenou

a remastered version of shenzhou on triple vinyl and double cd with the bonus album-the samphire tower. paul cooper, pitchfork: shenzhou, aside from being the name of the chinese manned-spaceflight vehicles, means magic vessel, and i cant imagine a more apt description for geir jenssen s latest excursion into ambient deep listening. after following an aphexian trajectory with his releases on apollo, the ambient sublabel of belgiums r&s records, jenssen veered from the padded sci-fi-inspired techno of microgravity and patashnik with 1997s substrata, a genre-defining exploration of drifting soundscapes. substrata remains for many the album that perfectly expresses the serenity and intensity of arctic wildernesses, a landscape jenssen knows intimately, having spent much of his life in the norwegian arctic circle. in 2000, jenssen nearly eclipsed the success of substrata with cirque, a frequently frosty submerging of excerpted conversations and found environmental sounds that rivals wolfgang voigts gas project in its rumbling, gauzy beauty. jenssen again relies on found sound as source material for shenzhou, but this time, the found sound is old vinyl recordings of the orchestral works of french impressionist composer and ambient precursor, claude debussy. jenssen lifts fragments of these scratched records in a similar manner as he did for cirques black lamb grey falcon and iberia eterea

channeling the energy echoing off dancefloors along his path, reinier zonneveld has been on a steady slope rolling out dance igniting productions while touring an intricate live set. megacity servant, the artistÕs third studio effort, stands as a coherent 16-piece techno outfit tinged with experimental tones while playfully deconstructing classic acid and disco fragments.

2methyls first full length album is both a feast for the dancefloor and an example of creativity. following the orb ep, layer8 is a hard, fast album of futuristic dark drum n bass. but it is also an example of how to bring this genre forward while staying true to its energy. very complex and detailed, the nine tracks of this album play with the rules of modern days drum n bass and burst out of their restraints, resulting in an album whose horizon is beyond the dancefloor and which impresses by its magnitude and originality.

fragmented:
broken up, cracked open/apart, shattered, splintered, fractured
1 reduced to fragments
2 existing and/or functioning as though broken into separate parts
3 forcibly separated into many pieces

highly technical but still organic, combining advanced synthesis & sample wizardry *fragmented* clearly shows how contrasts can accentuate.

when messiaen set out to transcribe birds songs as models for his compositions, he couldn t have predicted that by now wild birds would have started to learn mobile phone ringtone patterns. for a system of objects, raudive aka oliver ho maps an obliquely constructed world in which you lose all certainty of what is nature and what is design. raudive celebrates dance and auditory scenes as rituals, employing our surroundings as sources of ahistorical found sound - primitive technologies used to reach magickal states. a drum machine and a wooden stick, a sawtooth-shaped electric current and a split rock all turn into empirical objects of the same class, without a definite past or a predictable impact.

2013 new daft punk cd album, with great collaborations with giorgio moroder , pharrell williams, todd edwards, panda bear

2 cds hu breaks! cd1 - 14 tracks unmixed, cd2 mixes by gavin g! featuring tracks by fractus, darwin, clsm

imagine, you are sitting on a fluffy couch after taking the >pill that makes you larger< and having some great optics... what would be missing? some sound, eh? so here is the right dose of beats for that kind of setting: the new 10-track self-titled album by saskatchewan based artist virtual flannel. fragments of hip/trip-hop, catchy synths n basses and distorted kicks n snares are mixed all together in a booty-shakin funky way of slowmo-idm. in case of spontaneous need for movement, listen to that album louder than ever before and start moving your assssss...
á limited Èart packÇ including 1 cd, 24 stickers for reclaiming the streets with vf!-stylez, 3 dutone - risograph-printed posters (size a3) and 1 pair of shiny 3-d glasses for the right optics on all that stuff
á printed and assembled by noorden/cologne
á including download-code for flac/mp3/etc.

kanzleramt classic cd...